When Art is Incapable of Matching Life
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Our political world is now represented on the stage weeks after the real
thing
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By Robert Fisk/x-tad-bigger>/bigger>/bigger>/bigger>/fontfamily>
07/01//06 "/x-tad-bigger>The
Independent/x-tad-bigger>/color>" /x-tad-bigger>/bigger>/bigger>/bigger>/fontfamily>
-- -- Art and reality have a strange relationship. Take Stuff Happens, David
Hare's account of the build-up to war in Iraq, its title taken from Donald
Rumsfeld's reaction to the widespread looting and pillage on 11 April 2003.
But one of the most powerful scenes in the play is Colin Powell's appearance
before the UN Security Council on 5 February.
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I
was sitting in the UN chamber at the time and my notes of the meeting show
considerable cynicism and a good deal of disbelief on my part. I was
dumbfounded by the cheap pictures of a mobile chemical weapons laboratory -
it was supposed to be in a train, of all places - and the nonsensical
transcript of a conversation between two of Saddam's henchmen ("consider it
done, boss"). But only in the text of Hare's play do I realise what I
missed.
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"My colleagues, every statement I make today is backed up by sources, solid
sources ..." Powell says. "These are not assertions. What we are giving you
are facts and conclusions based on solid intelligence." How come I didn't
take this down in my notes? How come I missed the biggest whopper of them
all? The source for the mobile weapons lab is "an eyewitness, an Iraqi
chemical engineer". In fact, the "source" was in Germany and had never been
interviewed by the CIA. And so on and on.
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And the effect of Hare's play is devastating - far, far worse than the
original Powell performance which I witnessed at first hand. Is that the
effect of art or artifice? Maybe both, because it is now standard fare to
watch our political world represented on the stage only weeks or days after
the real thing.
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It didn't used to be that way. Although Sassoon's and Owen's poetry were
contemporary with the war they condemned, it was a long time before the
stage caught up. R C Sherriff's Journey's End came long after 1918, and we
had to wait for Graves and Blunden to tell it how it was in the coming
years. All Quiet on the Western Front took years to be made - I am still
fond of the second version with Ernest Borgnine that was produced after the
Second World War - and the 1939-45 conflict yielded few great movies at the
time.
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Yes, I'll tip my hat to Leslie Mitchell and The First of the Few and to the
forgotten 1942 film One of Our Aircraft is Missing. I used to watch them all
on commercial television on Sunday afternoons, along with Casablanca, which
was popular then more for the singing of the "Marseillaise" than for "Play
it Sam".
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I would watch Colonel Strasser arriving at Rick's café - he was played by a
Jewish actor who might have died in Auschwitz had he not been in Hollywood
(where he died on a golf course in 1943) - and always felt the best line was
Bogey's half-drunken: "Of all the gin joints in all the towns in all the
world - and she has to walk into mine."
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Yet it took 17 years after the event before we watched a movie about Dunkirk
- John Mills's plucky infantryman is still strangely moving although I never
got over watching the blowing up of Teston bridge near Maidstone which was
doubling at the time for the battlefields of northern France. By comparison,
The Longest Day was a clunker.
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It was the 1960s before Britain's film-makers really got down to work on the
Second World War. Of course, there were some favourites made then - The
Great Escape comes to mind, not least because it contains cinema's most
pointless word. As Hilts (Steve McQueen) races his plundered German
motorcycle towards the mountains of Switzerland, he pulls to a halt and
stares at the Swiss snows and says - yes - he says: "Switzerland!"
But I am being unfair. The Battle of Britain - in which the music was almost
as good as the Spitfires - didn't duck the horrors of air warfare and Lean's
The Bridge on the River Kwai was probably the first cinema movie to show the
terrible suffering of British PoWs in Asia. But I think I'd have to conclude
that one of the finest post-war movies was A Bridge Too Far, the Arnhem epic
which I now realise - on re-watching it only the other day - is about the
end of empire and the tragedy its collapse imposes upon ordinary men and
women. Arnhem was utterly worthless and the sheer waste in that film comes
close to great art. It also gave Sean Connery one of his finest roles.
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There was, more than 20 years ago, a stunning three-hour television drama on
the Suez crisis which I watched in Beirut during the civil war - and which
comes close to Hare because the British government was in 1956 caught lying
almost as outrageously as the American variety 47 years later.
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So what comes next? Will we see new Hare works every time we go to war? Or
is there a three-year gap - which is the time it took to put Flight 93 on
celluloid? My own suspicion is that it won't take that long - and that it
will be our politicians who will be playing themselves; in other words, that
reality and the world of movies (or stage plays) will become one.
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After all, who can deny that the international crimes against humanity of 11
September 2001 were not more powerful images, more awesome in their effect,
than Flight 93? Al-Qa'ida Productions got there first - by timing the second
aircraft into the Twin Towers to coincide with real-time television
coverage. This was why no claim of responsibility was ever made. There was
no need for such a claim when the terrifying pictures told us all we needed
to know. Which is why the video butchers of Baghdad have now slotted
themselves on to the internet, showing near-live coverage of their
decapitations.
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Violence has now become so close to all our lives that art sometimes seems
incapable of matching the reality. Indeed, actors might be losing their
credibility. After all, wasn't the 43rd President of the United States all
dolled up in a jumpsuit when he mouthed the greatest lie of all? Mission
accomplished?
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© 2006 Independent News and Media Limited
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Did Bush
Commit War Crimes?/x-tad-bigger>/bigger>/bigger>/bigger>/bigger>/fontfamily>
Supreme Court's decision in Hamdan vs. Rumsfeld could expose officials to
prosecution.
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By Rosa Brooks/x-tad-bigger>/bigger>/bigger>/bigger>/fontfamily>
06/30/06 "/x-tad-bigger>Los
Angeles Times/x-tad-bigger>/color>" -/x-tad-bigger>/bigger>/bigger>/bigger>/fontfamily>-
-- THE SUPREME Court on Thursday dealt the Bush administration a stinging
rebuke, declaring in Hamdan vs. Rumsfeld that military commissions for
trying terrorist suspects violate both U.S. military law and the Geneva
Convention.
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But the real blockbuster in the Hamdan decision is the court's holding that
Common Article 3 of the Geneva Convention applies to the conflict with Al
Qaeda — a holding that makes high-ranking Bush administration officials
potentially subject to prosecution under the federal War Crimes Act.
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The provisions of the Geneva Convention were intended to protect
noncombatants — including prisoners — in times of armed conflict. But as the
administration has repeatedly noted, most of these protections apply only to
conflicts between states. Because Al Qaeda is not a state, the
administration argued that the Geneva Convention didn't apply to the war on
terror. These assertions gave the administration's arguments about the legal
framework for fighting terrorism a through-the-looking-glass quality. On the
one hand, the administration argued that the struggle against terrorism was
a war, subject only to the law of war, not U.S. criminal or constitutional
law. On the other hand, the administration said the Geneva Convention didn't
apply to the war with Al Qaeda, which put the war on terror in an
anything-goes legal limbo.
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This novel theory served as the administration's legal cover for a wide
range of questionable tactics, ranging from the Guantanamo military
tribunals to administration efforts to hold even U.S. citizens indefinitely
without counsel, charge or trial.
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Perhaps most troubling, it allowed the administration to claim that detained
terrorism suspects could be subjected to interrogation techniques that
constitute torture or cruel, inhuman and degrading treatment under
international law, such as "waterboarding," placing prisoners in painful
physical positions, sexual humiliation and extreme sleep deprivation.
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Under Bush administration logic, these tactics were not illegal under U.S.
law because U.S. law was trumped by the law of war, and they weren't illegal
under the law of war either, because Geneva Convention prohibitions on
torture and cruel treatment were not applicable to the conflict with Al
Qaeda.
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In 2005, Congress angered the administration by passing Sen. John McCain's
amendment explicitly prohibiting the use of cruel, inhuman or degrading
treatment of detainees. But Congress did not attach criminal penalties to
violations of the amendment, and the administration has repeatedly indicated
its intent to ignore it.
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The Hamdan decision may change a few minds within the administration.
Although the decision's practical effect on the military tribunals is
unclear — the administration may be able to gain explicit congressional
authorization for the tribunals, or it may be able to modify them to comply
with the laws of war — the court's declaration that Common Article 3 applies
to the war on terror is of enormous significance. Ultimately, it could pave
the way for war crimes prosecutions of those responsible for abusing
detainees.
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Common Article 3 forbids "cruel treatment and torture [and] outrages upon
personal dignity, in particular humiliating and degrading treatment." The
provision's language is sweeping enough to prohibit many of the
interrogation techniques approved by the Bush administration. That's why the
administration had argued that Common Article 3 did not apply to the war on
terror, even though legal experts have long concluded that it was intended
to provide minimum rights guarantees for all conflicts not otherwise covered
by the Geneva Convention.
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But here's where the rubber really hits the road. Under federal criminal
law, anyone who "commits a war crime … shall be fined … or imprisoned for
life or any term of years, or both, and if death results to the victim,
shall also be subject to the penalty of death." And a war crime is defined
as "any conduct … which constitutes a violation of Common Article 3 of the
international conventions signed at Geneva." In other words, with the Hamdan
decision, U.S. officials found to be responsible for subjecting war on
terror detainees to torture, cruel treatment or other "outrages upon
personal dignity" could face prison or even the death penalty.
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Don't expect that to happen anytime soon, of course. For prosecutions to
occur, some federal prosecutor would have to issue an indictment. And in the
Justice Department of Atty. Gen. Alberto Gonzales — who famously called the
Geneva Convention "quaint" — a genuine investigation into administration
violations of the War Crimes Act just ain't gonna happen.
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But as Yale law professor Jack Balkin concludes, it's starting to look as if
the Geneva Convention "is not so quaint after all."
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Copyright 2006 Los Angeles Times
Rupert Murdoch
is Effectively a Member of Blair's cabinet/x-tad-bigger>/bigger>/bigger>/bigger>/bigger>/fontfamily>
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Only a spin doctor would deny that the media baron has a say in all major
decisions taken in Downing Street
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Lance Price/x-tad-bigger>/bigger>/bigger>/bigger>/color>/fontfamily>
Saturday ,July 1 2006/x-tad-bigger>/bigger>/bigger>/bigger>/color>/fontfamily>
The Guardian/x-tad-bigger>/bigger>/bigger>/bigger>/color>/fontfamily>
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Rupert Murdoch has never been a man to let details get in the way of a good
headline. This week he accepted the accolade of being the most influential
Australian of all time, even though by his own admission there were others
on the shortlist who'd done a lot more to make the world a better place.
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Surely he should be stripped of his title without further ceremony - and not
because of the inconvenient little fact that he's been an American citizen
for the past 21 years. His editors insist that he never influences the way
they produce their papers. The politicians maintain that, for their part,
they act in the best interests of the country, not those of Rupert Murdoch.
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He may carry some clout in the boardroom, but in the cabinet room? Mr
Murdoch should throw up his hands, give back the award and admit that he has
no more influence over government policy than you or me. Less, in fact. At
least we have a vote in this country.
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In my spin-doctoring days I might have tried an argument like that, although
not without that tell-tale flicker of a smile. It's true that Rupert Murdoch
doesn't leave a paper trail that could ever prove his influence over policy,
but the trail of politicians beating their way to him and his papers tells a
different story.
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There is no small irony in the fact that Tony Blair flew halfway round the
world to address Mr Murdoch and his News International executives in the
first year of his leadership of the Labour party and that he's doing so
again next month in what may prove to be his last.
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I have never met Mr Murdoch, but at times when I worked at Downing Street he
seemed like the 24th member of the cabinet. His voice was rarely heard (but,
then, the same could have been said of many of the other 23) but his
presence was always felt.
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No big decision could ever be made inside No 10 without taking account of
the likely reaction of three men - Gordon Brown, John Prescott and Rupert
Murdoch. On all the really big decisions, anybody else could safely be
ignored.
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I was reminded just how touchy Downing Street is about Mr Murdoch when I
submitted the manuscript of my book, The Spin Doctor's Diary, to the Cabinet
Office. The government requested some changes, as is its right. When the
first batch came through, it was no surprise that Tony Blair's staff were
deeply unhappy. The real surprise was that no fewer than a third of their
objections related to one man - not Tony Blair or even Gordon Brown, as I
might have expected, but Rupert Murdoch.
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In my first few weeks as Alastair Campbell's deputy, I was told by somebody
who would know that we had assured Mr Murdoch we wouldn't change policy on
Europe without talking to him first. The Cabinet Office insisted that I
couldn't say in my book that such a promise had been made because I did not
know it for a fact. With some reluctance I turned the sentence around so
that it read: "Apparently News International are under the impression we
won't make any changes without asking them." Every other request relating to
Murdoch was rejected. It seemed to me that the government was simply trying
to avoid political embarrassment on a subject of wholly legitimate public
interest.
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All discussions - and let us hope the word "negotiations" isn't more
appropriate - with Rupert Murdoch and with Irwin Stelzer, his representative
on earth, were handled at the very highest level. For the rest of us, the
continued support of the News International titles was supposed to be
self-evident proof of the value of this special relationship. The Sun and
the Times, in particular, received innumerable "scoops" and favours. In
return, New Labour got very sympathetic coverage from newspapers that are
bought and read by classic swing voters - on the face of it, too good a deal
to pass up.
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In fact, New Labour gave away too much and received too little that it
couldn't have expected to get anyway.
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Rupert Murdoch loves power and loves the feeling that he has the ear of
other powerful men. Who else was going to give him that feeling? Would he
get it from William Hague? Iain Duncan Smith? Michael Howard?
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It may be that Rupert Murdoch has never once vetoed a government decision,
nor tried to do so. I just don't know. What I do know is that, as the
entries in my book show, I spent far too much time trying to stop ministers
saying anything positive about the euro. When two prominent Conservatives,
furious at Tory policy on gay rights and Section 28, decided to defect to
Labour, I made them say that it was over our management of the economy. I
attended many crisis meetings at the Home Office - the influence of the
Murdoch press on immigration and asylum policy would make a fascinating PhD
thesis.
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Now Mr Murdoch tells us he might support David Cameron, and his papers take
regular potshots at Gordon Brown. Do Messrs Cameron and Brown take notice?
You bet they do. In a close election the support of News International will
be courted as never before. They know that Rupert Murdoch likes to back a
winner and that it is support in the country that separates the winners from
the losers, but they won't dare risk leaving it to the voters. So in the
meantime, Rupert, much as it pains me to say so, you can keep the award.
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·/x-tad-bigger>/bigger>/bigger>/bigger>/color>/fontfamily>
Lance Price, a media adviser to Tony Blair from 1998 to 2001, is the author
of The Spin Doctor's Diary /x-tad-bigger>/bigger>/bigger>/bigger>/color>
lanceprice.co.uk
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Religious Leaders Outreach Program MUJCA-NET can help arrange
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Eminent Theologian David Griffin Sparks 9/11 Truth Groundswell
David Griffin, one of America's most eloquent and influential
theologians, has summed up the overwhelming evidence for US
government 9/11 complicity in in his bestseller
The New Pearl Harbor. (Read
Marc Estrin's review.) (Listen
to Pacifica radio interview.) Dr. Griffin's follow-up book,
The 9/11 Commission Report: Omissions and Distortions,
demolishes the last shreds of doubt that 9/11 was an inside job, and
the official story a transparent cover-up. |
Day
of Prayer for 9/11 Truth Jews, Christians and Muslims from
around the world are uniting to pray for 9/11 truth every Friday
afternoon. (Muslim congregational prayer occurs shortly after noon
on Fridays.) Muslims are asking God to end the nazi-style
persecution aimed at them, and related political violence
perpetrated by all sides, by helping reveal the the truth about what
happened on 9/11. All are invited to join.
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Book-in-Progress: The Myth of 9/11 MUJCA-NET co-founder Kevin
Barrett is writing a book entitled The Myth of 9/11: An American
Muslim Speaks Out. Dr. Barrett, an Arabist specializing in the
analysis of myth, literature and folklore, argues that the official
story of 9/11 is a myth, both in the popular sense of an untrue
story, and the scholarly sense of a founding narrative legitimizing
a particular social order.
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